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This can be an artwork that challenges you and then makes you think about it days later or one that seduces you and delivers pleasant feelings days later. It has to be something that engages you, on one of a million levels, in person, and establishes a memory that remains positive. Mat Gleason, Coagula Art Journal, Los Angeles: The moment and the memory. I used to say that good art is like porn you know it when you see it. It took me a long time to get to this place, but that is the answer that I now give. Of course there's magic dust involved, so this is not a sure way, but it's a safe way to go about judging what is good art.Ĭatharine Clark, Catharine Clark Gallery, San Francisco: When it has its own internal logic. If you add in four or five art critics who are then able to write about it, if you get four or five major collectors who are passionate about what they collect to patronize it, and several major auction houses to auction it, then a consensus or vetting process begins to unfold. The arbiters are the museums, the museum curators, the people who spend their lives and their time actually being critical of what they see and judging what they see. The reality of art is usually by some kind of agreement.
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Robert Berman, Robert Berman Gallery, Los Angeles: Reality is by agreement. How can someone have possibly made this? How in the world could it not have been made?Ĭheryl Haines, Haines Gallery, San Francisco: Clear intention, unwavering dedication, patience, perseverance, self awareness and the drive to make for yourself and no one else. Good visual art looks stunningly right and, in retrospect, obvious, or inevitable- yet it's also continually surprising. So I asked them, "What makes good art?"īrian Gross, Brian Gross Fine Art, San Francisco: Art that is unique in conception and well executed.ĭeWitt Cheng, freelance art writer and critic, Bay Area, CA: Jorge Luis Borges wrote, "Music, states of happiness, mythology, faces molded by time, certain twilights and certain paces- all these are trying to tell us something, or have told us something we should not have missed, or are about to tell us something that imminence of a revelation that is not produced is, perhaps, the aesthetic reality." While art has become, in the experimental 20th and 21st centuries, impossible to define- critics learned long ago to stop being prescriptive, perhaps a little too well- Borges's tentative manifesto makes a good starting point- as long as we don't succumb to mystical mush. Ever wonder how experienced art world professionals separate out the best art from the rest? Me too.